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At the lake house, Kate is distraught with grief that she failed to save Alex and collapses to her knees at the mailbox. At least half of the movie takes place in and around the glass house on the lake, which is why it’s so maddening that we get to see so little of the interior. The movie possibly ends in 2008, as Henry lets Kate know that Alex died “two years ago today.” While oscillating between the past and future, the film reflects upon the timelessness of the present. Therefore, more than confusing the audience to figure out the nooks and crannies of the timeline, the film encourages us to remain in the present. It is at least more feasible than the other, straightforward suggestion. Movies like ‘The Butterfly Effect‘ and ‘Eternal Sunshine of the Spotless Mind‘ tell us that there is nothing straightforward about time warp movies, and this one is no different.
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You'll just have to accept that a book can travel through the mail to a date earlier than the one printed on its copyright page, and that a fancy Chicago restaurant will hold an unconfirmed reservation for two years. Maybe I'm just overly romantic or sentimental or just plain naive, but I probably liked The Lake House more than I should have. Supposedly letter-bound, the couple's conversations come across more like instant messaging, while Kate's lack of investigative skills or inquisitiveness will appal even the most half-hearted of romantic stalkers. The plot of The Lake House is a little too convoluted, and the film fails to pull off the sweeping romance it aims for.
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Back in 2006, the Speed co-stars Keanu Reeves and Sandra Bullock once again teamed up in the movie ‘The Lake House’. For those who haven’t seen it, the movie is about a doctor who falls in love with an architect. It is based on the South Korean film ‘Il Mare’, which was released in 2000. On Valentine’s Day, 2006 for Alex, he recalls Kate’s mentioning Daley Plaza and hurries to the lake house to retrieve their letters. Meanwhile, Kate and Morgan meet with Henry, who they hired to design a house they bought together. When Kate asks about a drawing of the lake house displayed in Henry’s office, Henry says the artist was his brother, Alex.
Storyline
Alex and Kate cannot speak much, as they feel the burden of the future. While they try to hold on to the present, time flows between them. Kate calls emergency services and attempts to save the guy, but he seemingly dies. On the other hand, Kate asks Alex to meet at her place, but the location takes Alex to a construction site. He plants a tree in front of it, which has grown quite a bit in Kate’s timeline. With the revelation that the mailbox acts as a time machine, Kate’s epistolary time warp romance with Alex reaches an equilibrium, and they long to meet each other.
Then, Kate discovers that the person who dies on the streets on February 14, 2006, is the same person who kissed him at the party. After the discovery, Kate’s mind spirals, and she starts living in unfinished fantasies of the past. In 2004, Alex runs a construction business after Simon, his father and a great architect. On the other hand, Kate is in an on-off relationship with Morgan. Although Alex does not call her at the moment, Kate meets Alex and Mona at her birthday party later.
Kate may be dreaming in the final moments and even for most of the story. Towards the end of the story, Kate attempts to escape the illusion when she tells Alex how she thought him up. You may remember how after grabbing food with her mother at Daley Plaza, Kate experienced a nasty accident. As Kate tells Alex earlier in the story, he died in the accident, while she created a story around him to cope with the trauma. However, this reading would be natural if not for the final moments, where Alex seems to be quite alive as he hugs and kisses Kate. Thanks to the premonition of Alex’s death, Kate forbids him to cross the road at the park in a letter she writes for him.

The scene where Kate gets stood-up is in Millennium Park at the Park Grill. The bar scene in the Loop where Kate is seen sitting on the barstool, speaking with the woman at the wooden bar, is the real "Millers Pub" located at 134 S Wabash Ave, Chicago, IL 60603. In 2006, Speed co-stars Sandra Bullock and Keanu Reeves teamed up again for this remake of the South Korean film Il Mare about a doctor who falls in love with an architect she’s never actually met. Alex (Reeves) is living in 2004, but Kate (Bullock) is in 2006, which is kind of a problem. If Kate does not speak to Alex before the February 2006 accident, how can she prevent Alex’s fatality?
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During winter, Alex, the son of the house’s original owner, reaches there and reads Kate’s letter. Kate does not live in the house since she does not think that a cottage should be more than 6000 square feet in area. Thus, she seeks to change the address to her present residence in Chicago.

They regularly trade letters, using the mailbox’s red flag to determine when the other has received their message. Eventually, they learn that they are living two years apart, but can communicate through the mailbox almost instantly. Kate asks Alex to find a copy of Jane Austen's Persuasion that she left at a train station, which he does, and Alex takes Kate on a tour of his favorite architecture in Chicago. Both eventually meet at a birthday party Kate’s then boyfriend, an attorney named Morgan, throws for her. Despite sharing a kiss, Alex does not tell Kate about the letters.
However, Alex can’t be alive at the time because he dies on the morning of Valentine’s Day, 2006. However, Alex leaves several objects and memories in Kate’s life. For instance, Kate finds her lost copy of Jane Austen’s ‘Persuasion’ on the wooden floor of the lake house. Alejandro Agresti directed the romantic fantasy movie ‘The Lake House.’ The story, an adaptation of the South Korean film ‘Siworae,’ follows lonesome medical practitioner Kate (Sandra Bullock).
Kate realizes Henry’s brother is the same Alex she was writing to and asks about him, but Henry explains he died on that day two years earlier. Realizing Alex was the man she failed to save at Daley Plaza, Kate rushes to the lake house herself and writes a frantic message to Alex begging him to wait two years and find her at the lake house. Alex does find Kate in Daley Plaza but stops himself from greeting her having received her letter. She was already quite lonesome, and she thought that was not how Valentine’s Day should have ended.
Not wanting him to wait until it is published, she leaves it for him in the mailbox, hoping it will comfort him. The gesture convinces Alex and Kate that they should try to meet. Alex makes a reservation at a restaurant two years in advance for him, but the next day for Kate. Heartbroken, Kate ends their relationship and stops visiting the lake house to settle for a future with Morgan.
Therefore, more than Alex’s physical presence, her belief in romance propels the story forward. The idea leads her to the mailbox, which becomes a point in her habitual fantasizing. Gradually, Kate lost herself in the fantasy where time stood still.
However, as the lake house, and especially its adjacent mailbox, stay in a temporal flux, Kate establishes communication with the mysterious Alex (Keanu Reeves), who claims to live two years in the past. When the timelines mingle, the melancholic story spirals out of control. If you can not quite put your finger around the finale, let us be of assistance.
— and since then they have gone their separate movie-star ways, into the "Miss Congeniality" and "Matrix" franchises, as well as into a startlingly long list of bad movies, of which I will mention only "Hope Floats" and "Sweet November." 35 tons of steel and a crew of nearly one hundred was required to finish the house by the time filming was scheduled to begin. He took the 2,000 square foot construction from just sketches to completion in ten weeks. In the early sequence, Kate wakes up in the lake house when it’s autumn.
Curiously, in the end, it is Kate who seems to be living in the past, holding on to the memories of Alex. "Not much has changed," Kate writes to him at one point, when he asks what things are like in the future. His general lack of curiosity — he doesn't ask who won the presidential election or the World Series, or pester her for stock market tips — is in keeping with the fuzziness of the film's conceit. If you approach it with a rational, skeptical mind, "The Lake House" will fall apart almost immediately.